About the work
Opstanding (1992) by Bertha Saveniers is a sculptural composition that contrasts two distinct masses: a smooth, dark, polished volume and an articulated, white, banded form. The title—Dutch for “Resurrection” or “Rising”—evokes themes of renewal, tension between opposing forces, and the interplay of solidity and vulnerability.
Materials & technique
The piece combines a dark polished stone (possibly granite or a dark marble) with a lighter carved stone—likely white marble—shaped into overlapping bands. The dark form is highly polished, while the white structure reveals traces of carving and layered construction. This duality of surfaces underscores the dialogue between refinement and rawness.
Prints are made by Dimitri and for sale — Profits are for Bertha!
Interpretation
The formal language of Opstanding suggests a meeting point of opposites: light and dark, smooth and textured, whole and fragmented. The white banded form recalls wrapping or mending, while the dark mass appears protective yet powerful. Together, they create a visual narrative of emergence and reconstitution.
Exhibition history (work in progress)
The sculpture was exhibited shortly after its completion in the early 1990s, but detailed records remain incomplete. Research is ongoing to trace exhibition dates, venues, and catalog references.
Research notes & leads
Regional newspaper archives (1991–1995) may contain exhibition announcements or reviews mentioning Bertha Saveniers.
Municipal cultural services and local art centers could hold records or catalogues.
Family members, colleagues, or private collectors may possess photographs or documents.
Public libraries and museum archives sometimes hold exhibition catalogues with references to works like Opstanding.
The story
Opstanding was created at a pivotal moment in Bertha Saveniers’ artistic practice, when material contrast became a central theme. By juxtaposing heavy, classical stones, she sought to reconcile brutality with tenderness. The title points to both personal and collective renewal: a sculptural resurrection that invites viewers to reflect on memory, resilience, and transformation.
How you can help
If you own photographs, documents, exhibition catalogues, or personal recollections related to Bertha Saveniers or Opstanding, please get in touch. Contributions will be credited and can be added to this growing archive.
