In Kosmische Beweging II, Bertha Saveniers explores the invisible forces that shape existence — those cosmic currents, rhythms, and energies that lie beyond what the eye typically perceives. The sculpture’s composition moves with confidence: sweeping curves converse with empty space, creating tension and release; light and shadow play across the surface in waves that suggest both expansion and contraction.

Here, form is not static. Each contour seems to pulse, to stretch outward and contract, as if breathing with the cosmos itself. The structure suggests motion without overt chaos — a harmony born of subtle contrasts. The hollows and rises, the sinuous bends, all seem to ask: what is movement when it’s both seen and unseen? What sustains it?

Kosmische Beweging II doesn’t just captivate by its shape; it invites reflection. To stand before it is to sense oneself as part of a larger unfolding — of universal cycles, of inner and outer space, of beginnings and continuums. It is sculpture as both spectacle and meditation.